As Adil Jussawalla points out, Keki Daruwalla’s works are ‘as relevant today as when they were first published (in 1970)’ (p. 59). Kavita Ezekiel Mendonca relays, ‘Mature poetic talent…literary stamina, intellectual strength and social awareness’ (p. 72), even in the poet’s debut collection, left an impression on Nissim Ezekiel. The ‘caustic’ and ‘incisive’ writing (p. 105) that shapes much of the poet’s oeuvre,
I was eventually drawn to novels through exceptional paragraphs cited in essays. By my late teens, I was probably more likely to read a piece of criticism about a work rather than the work itself. His insight about novels is something which hard working teachers in their classes do not want their students to develop. Gratified with his epiphany, Chaudhuri looked for standalone paragraph(s) in novels which ‘belongs to a story but is also independent of it, in that it seems equally located in an irreducible life and textuality outside that novel as it is in the life narrated and contained within it’.
A noteworthy section in the Introduction is: ‘Vacana Dharma and Hinduism’. Nadkarni shows here how the basic beliefs and practices of Vīraśaiva-Lingāyats are to be traced to Hinduism. For example, the idea of One God is very much there in the Rigveda (Ekam Sad viprāhbahudhāvadanti, etc.). The practice of chanting the holy mantra of ‘Om Namah Śivāya’ is from Hinduism.
From a diminutive rock smeared with vermillion, to logic-defying edifices cut out of sheer rock, to large complexes spread over hundreds of acres with the most spectacular architecture humans could ever envision, the Hindu temple can indeed be a bewildering space for the uninitiated and un-socialized.
The professional Carnatic musician’s path is highly templatized; countless have been through the grind. Start young, attend junior competitions, perform at AIR, and ensure that you make your way to the Music Academy performance slot. Subrahmanyan too traversed this well-trodden path, and spectacularly well at that, to join only a select few to receive the prestigious Sangeeta Kalanidhi (Oscar of Carnatic classical music) in 2015 when he was just 47 years!
Why are we born? Why do we die? Most people look for explanations in religion, but the author looks for answers in the world of science. What, then, is the difference? Simply that scientific theories can be disproven, while religious ones cannot. This is not to say that religion is not important. It indeed is and offers succor during trying periods of our lives, but in explaining the natural world, that is where superstition comes in.