For those who want to get a sense of the history of Arunachal Pradesh or to understand how many cultures and religions and traditional groups of the land coexist, this book will make an excellent recommendation. The text is meticulous and deals with social and cultural symbolism well.
This is a fairly slim book. It has only about 15 odd pages of text, and 60 photographs. Yet, it contains a lot to think about and see. In any case, if it is true that a picture is worth a thousand words, then this intriguing little volume contains more than 60,000 words worth of matter.
This is a splendid volume that brings to- gether the recent approaches and researches around the theme of Indian Painting in honour of Professor B.N. Goswamy who continues to inspire and motivate potential scholars of art and history in various capacities and contexts.
Any discussion of traditional art forms in India would not be complete or possible without stepping into the realms of the narrative painting tradition. Indian Painting: The Lesser-Known Traditions edited by Anna L. Dallapiccola presents a bouquet of twelve incisive essays elaborating on these lesser known traditions of India.
To assess music as the purveyor of the spiritual is Antony Copley’s project in this compelling and erudite study. He undertakes his exploration by approaching the music of 20th century Europe through the biographical, cultural and philosophical planes. He tackles his mission as Everyman, he emphasizes apologetically…
The book in reference is a coffee table, well-illustrated memoir entitled The Master Through My Eyes. It is by Saswati Sen, herself a well-known dancer and prime disciple of Birju Maharaj for as long as thirty years and more. She has spent this time, from her initial baby steps in Kathak with Guru Reba Vidayarthi…