Nayantara Sahgal, a prolific writer, has ben awarded the Sahitya Academy Award and the Commonwealth Writers’ Prize for other works of fiction. Two books have recently been reissued by Penguin—Storm in Chandigarh and A Situation in Delhi.
Chatura Rao’s Meanwhile, Upriver strikes us with its cryptic and yet engaging book cover. An expansive blue backdrop with a suggestive landscape, a monkey man crouching at one end, a fat woman clad in red, floating in the air at the other and both facing each other as if awaiting their meeting, duly summarizes the book.
The movie begins with a regurgitation of not just a half digested Bengali breakfast but also a foreboding of tragedy. Did I just say movie? Indrajit Hazra’s The Bioscope Man may well be a movie, which has been cinematographed in words, for such is the dexterity with which he casts his characters and rolls out his scenes.
Abha Dawesar’s Family Values is written from a perspective of the young boy ‘narrator’ whose unwitting existentialist narrative questions the essence of Indian family values.
This is the second work of fiction by Azhar Abidi. His first work of fiction, Passarola Rising, was ostensibly a work of science fiction set around an imaginary event that occurred in the year 1731.
I must begin with a double disclaimer: I am not familiar with the entire body of Girish Karnad’s dramatic work, and I have not yet seen a stage performance of Wedding Album, Girish Karnad’s newest play. Having gotten that out of the way, here’s getting down to the business of reviewing a new, unusual offering from one of the best known dramatists in the country. In a word, I was surprised.