It is so difficult to achieve a combination of the ancient and the modern, the historical and the imaginary, the authentic and the innovative. But in The Last Kaurava by Kamesh Ramakrishna we have it. In it, the Mahabharata comes alive with a twentyfirst century zest.
Ben Antao has tackled the birth of Goan Independence with humour and an unrepentant pen. That politics is money is unquestioned in this novel. That politics is business is also boldly stated. And with the events in this tale taking place in the early 1960s when, for those of us who were raised in a more idealistic time and were led to believe in statesmanship and leadership (Kennedy, Gandhi, Churchill et al), and in altruistic nation-building in a post-WWII era, this book comes as a bit of a shake-up and a wake-up call.
It is only at a time of crisis that we experience the vulnerability of human existence—in a flash the whole world may change for us and take on new meanings.
‘Dharma Migu Chennai’, ‘Madras is replete with piety’—so the saintpoet Ramalingaswamy pronounced in the nineteenth century. In her excellent account of the social history of music in South India, the historian Lakshmi Subramanian (2006) probes this ‘curious testimonial’.
More than two million people in the United States have a diagnosis of schizophrenia, and the treatment for most of them mainly involves strong doses of antipsychotic drugs that blunt hallucinations and delusions but can come with unbearable side effects, like severe weight gain or debilitating tremors.
It’s about the farcical trial of a Left-wing folk singer accused of instigating a sewage worker to commit suicide in a manhole. India’s official entry for Oscars 2016, a Marathi movie called Court, has earned acclaim for its insightful portrayal of the Indian legal culture. It’s a rivetting story even as it focused on banality rather than the usual fare of dramatic situations and stirring dialogues. In a matter-of-fact tone, the movie brings out the quirks of the judge, prosecutor, defence counsel and the accused person, not only in the court premises but in their personal lives too.