By Arti Sonthalia. Illustrations by Tasneem Amiruddin

The illustrations in the book are contextual, but in my view, they could have been better. For a book that is about an artist, the illustrations are bland. They could have further extended and enriched the theme of the book. Mehar’s illustrations should have found more place.


Reviewed by: Neera Jain
By Lissa Coffey. Illustrations by Rajesh Nagulakonda. Edited by Sarita Saraf

Arjuna’s question is wisely tackled by Krishna. Another natural feeling that Arjuna expresses is about the winning team’s happiness in getting the trophy and the other team’s sadness in losing it. Here, too, the child-comprehensible words spoken by Krishna are commendable. They showcase the philosophy of the Gita in a simple way.
Meaningful words in rhyme,


Reviewed by: Indira Ananthakrishnan
By Aparna Kapur. Illlustrations by Ogin Nayam

At the end of the book, the author writes a coda in which she talks about why she wrote the story of Divya. In her childhood, she had not washed her hair for ten days. In this period, she made many imaginary friends. This experience has kept the narrative alive in her mind, giving her the conviction that telling it is critical.


Reviewed by: Nidhi Gulati and Shivi

Ostrich Girl opens up with a bird call. ‘CHA-KE-KE-A-KE-KE-AAAAAA….’ echoes through the pages of this irregular narrative. Biswas tries to look at worldly issues through the lens of children. What Ostrich Girl deals with is the ask of the century; the question that environmentalists have seldom answers to. Integral to children’s literature, the author provides ample agency to the characters of her narrative.


Editorial
By Sathya Achiya and Janan Abir

Technology and tradition unite in this picture book to inspire confidence in a little girl. Priya lives in the western world but is ethnically a Kodava from Kodagu in the lush rainforests of the Western Ghats. She has a dance recital coming and will perform as a ‘jungle dancer’ thanking


Editorial

The range of books on music reviewed brings into question the category of music itself, for it is difficult to define music in singular ways. Grappling the plurality of music has generated a range of approaches. The hermetic field of musicology has had to shed its exclusivity. Gone are the days when it was thought that the proper study of music and music criticism should address classical music only.


Editorial