Tribal societies are marked by contestation, competition, movement, conflict, etc., in the contemporary period. These concerns are mainly revolving around the question of livelihood and survival of tribal communities. Their livelihood and survival largely depend.
The Covid-19 global pandemic has changed the way of life for one and all across the planet, and the battle against the virus is still ongoing. Many books about Covid-19 have been published since the virus first emerged in Wuhan, China, addressing various aspects of it.
Representation is a tricky word as there can never be an authentic representation. Any act of representation conceals a lot and only offers a timid glimpse of reality. Cinema is well known for such deception. It often claims to be a reflexive comrade that would showcase.
More than a cinematographer extraordinaire, Shyam Benegal is a phenomenon, an institution of sorts. So strong is his influence on the parallel or new cinema of contemporary times that one may easily speak of the Benegal school of film-making. It is another matter.
The three plays, introduced with a skilled and analytically detailed discussion, rise above parochialisms of time, space, culture and language. They resonate with universal themes and emotions like love, duty, guilt and the sheer tedium of existence that saps one’s soul of vibrancy and one’s life of joy.
This novel is really a chronicle, like Malory’s Le Morte d’Arthur, of a time, and characters who lived in that time, kings, nobles, knights and wizards; what happened to them, the events of which they were part, and how they survived or were destroyed. But that’s where any resemblance fades.