Amit Ranjan’s book John Lang poses a conundrum quite like the persona of the protagonist. Who was John Lang? Columnist, creative writer, lawyer, rebel, alcoholic or just a stupendous wit, masquerading as all of them? I have grave doubts about whether he was really an alcoholic or was it a rumour that suited his humour. There is no such entity as almost an alcoholic.
Shakoor Rather’s promising debut novel weaves an intriguing yarn around the mundane and the prosaic of Srinagar in 2008, including two lovers, a family and a neighbourhood simpleton. The plot-lines, in rather simple terms, are as follows.The lovers: Samar and Rabiya are law students who meet initially in the battered matador van they both take to reach their university. After a month of glancing shyly at each other and offering tentative ‘Hellos’, there blossoms a ‘friendship’ that allows circumspect exchanges about corporate law, exams, and so on (p. 59)
Dhrubajyoti Borah’s Elegy for the East: A Story of Blood and Broken Dreams is a poignant narrative set against the backdrop of the insurgency in Assam and the North East in the 1990s. Albeit fictional, the novel offers an insider perspective on the ideology and nature of the armed rebellion led by the United Liberation Front Asom, the subsequent counter-insurgency operations launched by the Indian state, and the tormented lives of common people who are caught between the two.
On tracing the history of Indian English literature, if one looks at the genre of poetry, it has been observed that anthologies have brought together voices not just from across the country but also collected varied ideas/perceptions/concepts that have been fermenting and brimming and searching for their readers.You can growyour inward silence indoors nowthe inessential park is closed.
Jayanti Naik says in the preface to the book: ‘This English translation will of- fer a glimpse into the true nature of Goansociety … different from the prevailing ste- reotyped and touristic images of Goa.’ The eleven stories in the collection are about ‘the salt of the earth’, that is, good and decent people who inhabit the villages in and around Quepem in South Goa. These people mainly belong to the ‘Bahujan Samaj’, as people of non-elite castes describe themselves. The 55- year old author and folklorist Jayanti Naik knows them well and her stories celebrate their myths, superstitions and folklore. Al- though the day-to-day lives of her charac- ters may be mundane what impressed me were the psychological insights extracted from them with her narrative skills.
Kiranmayi Indraganti’s book Her Majestic Voice gives us a broad socio-cultural study of the evolution of South Indian women playback singers of the mid-twentieth century. The book presents this vast but relatively unexplored field through the lives and careers of four important women playback singers, namely: P. Bhanumati, Ravu Balasaraswati Devi, Jikki Krishnaveni and K. Jamuna Rani, apart from a study of Lata Mangeshkar, whose career and choices are often set as a benchmark of comparison.