Mukul Dube

India Since 2002 is a collection of critical reflections by Mukul Dube on the socio-political happenings in India in the aftermath of the Gujarat genocide of 2002, previously published in the weekly Mainstream between 2002 and 2015. Dube’s principal focus in this anthology is the depredations of the Sangh Parivar, the torch bearer of the ‘Vedic Taliban’ and Hindu fundamentalism.


Reviewed by: Namita Jainer
Akshaya Mukul

In 1987, Doordarshan, the state-controlled television network, began to air Ramanand Sagar’s popular show based on the epic Ramayana. Its broadcast was a remarkable departure for a government institution like Doordarshan from the Nehruvian mandate to uphold a secular and modern character and eschew tradition, especially when invoked in the context of religion. The televisual retelling of the epic achieved unprecedented popularity.


Reviewed by: Faiz Ullah
Robin Jeffrey and Ronojoy Sen

This volume offers a comparative perspective of media in two very different countries, and the ways in which they are changing. Eighteen writers—mostly scholars and journalists—bring their experience and differing perspectives to it, and pick a range of subjects to look at, through twin perspectives. The editors devise a structure in which chapters on China and India alternate through four sections which explore structure, reporters, practices and comparative case studies in two areas—social media, and disaster reporting.


Reviewed by: Sevanti Ninan
Anjum Katyal . Translated by A.N.D. Haksar after Malla

Along with Mohan Rakesh, Vijay Tendulkar and Girish Karnad, Badal Sircar was a preeminent playwright who shaped our modern theatre. Ebong Indrajeet (Evam Indrajeet, ‘And Indrajeet’, 1963) and Pagla Ghoda (‘Mad Horse’, 1967) are undisputed classics of the modern Indian stage, translated into several languages and performed across the country. They blazed a trail, and opened new vistas. Badal Sircar was a playwright of great power and technical sophistication.


Reviewed by: Sudhanva Deshpande
Patrick Olivelle

The nature and purport of this book is clearly explained by its title. It is a dictionary in English of technical terms, legal, political and administrative, used in the Sanskrit language.Such works on Sanskrit already exist for grammar and priestly rituals. The most recent are Abhyankar and Shukla’s A Dictionary of Grammar, 1986, and Sen’s A Dictionary of Vedic Rituals, 1978. The need for one on law, statecraft and political science prompted the present compilation, it being felt that technical terms on these subjects were not available sufficiently in standard Sanskrit-English dictionaries.


Reviewed by: A.N.D. Haksar
Kalyana Malla . Translated by AND Haksar

Suleiman Charitra is a truly amazing little book. A short work in Sanskrit from the 16th century, it’s title should be enough of a clue to even the casual reader about its hybrid nature. It is a perfectly synthetic work that, on the surface, tells a story from the Semitic tradition in the form of a classical Sanskrit narrative—the Charitra, i.e., the acts of a great man who might be a king, a hero, or even a god. But below the surface, there are currents and eddies, perhaps even whirlpools, that sweep us off our feet and away into an unexpected story land


Reviewed by: Arshia Sattar