If you believe Margaret Mead’s words that we should, never “doubt that a small group of thoughtful committed citizens can change the world; indeed it’s the only thing that ever has”, then the four examples of democratic schools presented in this book will enrich, invigorate and serve as a much-needed tonic. It appears as if there exists a universal tacit agreement on schools becoming factories, of being further distanced from the community etc.
Jawaharlal Nehru, on a number of occasions and in a number of ways, defined himself as a product of the Indian National Movement and all that it stood for. This implied among other things anti-imperialism, commitment to national sovereignty, and a measure of internationalism. In addition Nehru also acquired early in his political career a left-wing orientation to politics. All this he inherited from the national movement and practised, with some exceptions, during his long tenure as independent India’s Prime Minister.
Amit Dasgupta is a career diplomat who ruefully intimates that career compulsions have made him into something of a specialist on that bureaucratic labyrinth, the World Trade Organisation. Poring over the arcana of the Uruguay Round, and import quotas, and non-tariff barriers and intellectual property rights, and purchasing power parity…
Bapsi Sidhwa’s Water is an unusual work which translates Deepa Mehta’s film “Water” into a novel. It renders an audio-visual experience into words, significantly reversing the commoner trend of turning novels into films and problematizing the usually assumed authority and “originality” of the literary text over the “adapted” cinematic version.
Shooting Water is Devyani Saltzman’s memoirs about her experiences during the shooting of her mother Deepa Mehta’s film Water. The title is a bit misleading because the book is not so much about the shooting of the film (even though it is also about that) but about her struggle to grow up in two worlds after the divorce of her parents. Her relationship with her mother becomes perennially haunted by her decision to live with her father.
In Satyajit Ray’s film Shatranj ke Khilari there is a memorable scene when Colonel Sleeman is confronted by Urdu poetry. His assistant is reciting a poem composed by Wajid Ali Shah. “Is that all?” asks Sleeman in disbelief when the poem ends after a few couplets. “Yes, Sir.” “And what does it mean?” he inquires in a broad Scots accent, tapping the end of his cigar.
Prabhakar Acharya’s The Suragi Tree is a delightful novel. The 400 plus narrative is surprisingly a quick, absorbing read: racy, but relaxed, spanning over six decades but time-warped, tale of a solitary man but peopled with an enormous number of characters; each one vivacious and memorable, the intertwining of a rural landscape with a distinct community orientation…
My Fellow Traveller is an offbeat memoir, a debut offer- ing which has morphed Hameeda, a housewife-turned- writer, into an instant celebrity. No honed language, no philosophical snippets, no overarching story, and yet it is a most compelling read. What accounts for much of its breakout popularity is its confiding, subdued narrative, which rarely breaks its leash.
This is a new edition of the English translation of this Urdu classic (1900) which was first published in 1970 under the series. ‘Unesco Collection of Representative Works’, and later reprinted by Disha Books. Umrao Jan has almost become a figure of folklore after Ruswa immortalized her in his novel, Umrao Jan Ada which by now has several celluloid versions of it produced both in India and Pakistan.
Hindi film songs are immensely popular throughout the length and breadth of the country and appeal to people of all age groups. Such was the popularity of Hindi film songs as far back as 1952 that when All India Radio (under B. V. Keskar) banned the airing of film music, ‘Binaca Geetmala’, which was broadcast from Radio Ceylon, became a major success across the country.
This may be a cliché but Begum Akhtar was like the proverbial shama to which countless parwanas have lost their souls. Stories about her life are legendary and add to the mystique of her musical personality. There is for instance the famous one about a poet in Lucknow driven mad by her music who roamed the streets scrawling her name on walls.
Information and Communication Technologies (ICT) is obviously one of the major forces currently shaping the contours of our society. It is changing the way we interact with others, the way we do business and the way we entertain ourselves. Obviously any technology which causes such profound change in the way we live would also have similar implications for rural India.
The best economic history mines data from the past to establish dis- tinct patterns, impute causal effects and unravel the mechanisms that drive economic sub-systems. But given the demands set by scholarship based on archival records and atypical sources, the advance of knowledge often tends to be marginal and yet controversial.
Terrorism has not just gripped the globe – discussion on this seemingly all-encompassing phenomenon tends to dominate not just the print media and television – but the world of books. If you pick up a western or Indian newspaper these days, it’s quite possible that three out of five reports are related to terrorism. There’s a huge amount of information pouring into households on the menace, but how much of it is authentic and based on fact?
Badruddin Umar is one of Bangladesh’s best known intellectuals. As a commentator and author on the internal social and economic dynamics of Bangladesh, his views have been ideologically consistent over several decades and commanded attention even from those who may disagree with him. His work on the language movement in East Pakistan has received critical acclaim.
The title of the book under review is utterly misleading. It certainly misled me when I agreed to do the review. First of all, this is not a book about South Asia if we go by the widely accepted definition of the subcontinent. South Asia is supposed to have at least seven states: India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan and Maldives.
The end of the Kargil conflict (May-July 1999) witnessed a burst of creative activity with scores of books being published on this clash of arms. It was also subjected to an official inquiry headed by K. Subrahmanyam, resulting in the Kargil Review Committee (KRC) Report, later published by Sage.
The Sharia is a dynamic living sacrosanct and comprehensive code. It contains the body of rules and legal principles based on the expres- sion of God and concurrence to the same by the Holy Prophet (PBUH). It is capable of accommodating the competing interests of all the people irrespective of their creed, class, caste, or nationality and it also offer solutions for the needs and demands of contemporary society from time to time.
In relation to South Asia, the basic story goes like this: Once upon a time, there existed a composite or syncretic culture among the Hindus and Muslims. Then, sometime during the eighteenth or nineteenth century, in some cases even the twentieth century – depending upon the place and the context, the ‘frail’ composite culture was fractured.