Settling-of-score books can be entertaining, vindictive, or just plain boring. More often than not such a book reveals more about the writer than his subject. Alas, it can also be one long whine—not just me-too, but me-not-him/her, mostly both childish and petulant.
Daughters of India is a collection of profiles of twenty women from diverse communities all over India. It is also a photographic record of artistic activity among these women, ranging from the kolam patterns drawn in front of the house to wall paintings, embroidery and scroll designs.
This book has been several years in the making. Archiving and selecting the photographs by Richard Bartholomew which were exhibited recently at Photo Ink Gallery, New Delhi, must have been an arduous job, since Richard would not ever have even thought of exhibiting them.
As a commemorative volume, Tracing an Indian Diaspora: Contexts, Memories, Representations celebrates the first ten years of the existence of the Centre for the Study of Indian Diaspora (CSID), Hyderabad and the annual Pravasi Bharatiya Divas, held at Hyderabad in January 2006.
The book is, both a challenging and an exciting preposition, challenging, because it brings together the intellectual initiatives of the nineteen contributors drawn from different social sciences disciplines, working on diverse crime themes, in pre-colonial, colonial and postcolonial time-frame in one large volume; and exciting, because it endeavours to run the two thought streams, namely, human rights and criminology in almost all the essays.