Author Archives: Thebookreviewindia

Mother Maiden Mistress is an attempt to map women’s representation in cinema from 1950-2010. The contribution of women in the Indian film industry has received minimal attention. This is a much needed addition to the historical narrative of Indian cinema.

The city of Chennai was remembered until the early 2000s for its huge banners lining most of the arterial roads. Huge hand painted film hoardings battled for prominence with equally massive ads for consumer products.

The adaptation of fiction into films is one of the earliest interventionist modes of analysing cinema and bringing the cinematic medium at par with the written word. Cinema needed ‘respectable’ literary moorings to step out of the shadows.

This book is a collection of essays in English by Satyajit Ray, dating from as early as 1949 to 1989, collated from different newspapers, journals and bulletins on cinema from India and elsewhere. Twenty-two written pieces have been arranged accordingly in three segments titled,

Donald Preziosi in his, A Crisis in, or of, Art History? recounts an instance which will become the cornerstone to radicalize the conventional disciplines of art history.

Abiography is usually the life of a person and Douglas Knight’s book features Balasaraswathi, a Bharatanatyam icon. He meticulously traces her life as a dancer, emphasizing her family’s influence on her career. As a child, there was an initial brief period when Bala, as she was popularly known, refused to learn dance but the urge could not be denied and she went through a rigorous schedule with her guru Kandappa Pillai and her mother Jayalakshmi guiding her.

This is a very useful book for two types of readers. It would be a good pick for the outsider with an interest in an India beyond the lonely planet guides who would like some insights into how the system and processes work here.

Rights delineate relationship between the State and the individual hence; they are some sort of parameters to determine the nature of any State.

It may sound ironical but the fact is that the production of literature on human rights as well as human rights violations is moving at the same pace. There is no dearth of Human Rights literature in India. However, the available literature can broadly be divided into two categories, academic and non-academic, the latter mostly comprising journalistic works, reports by rights groups and bodies.