The Goddess and the Nation provides a timely, if somewhat troubling re-minder of one strand within the
nationalist movement, tracing its development primarily through a study of visual representations of Bharat Mata, a deified mother India, and her children, especially her sons. Lavishly illustrated and annotated, it carries the reader through over a century of colonial and postcolonial history.
This book is also available in English under the title: Writings on India’s Partition edited by Ramesh Mathur, Maheep Singh and Mahendra Kulasreshta. The 22 page introduction analyses the influence of Indian Partition on fiction, giving the political background to this dark chapter in modern Indian history.
The task of policing in Delhi is far more complex than any metropolitan city in India. The author, a serving police officer in Delhi, has done an excellent job of telling his readers why it is so. He has analysed in detail the nature of policing the largest city and capital of the country in the background of its history and problems peculiar to it.
Professor Galbraith’s fuller title for his book is reminiscent of the thoughts of Fitzgerald/Omar on the mystery of life but Galbraith briskly sets about his declared objective (‘Much discussion of money involves a heavy outlay of priestly incantation.’) of dispelling all mystery about money in his book which is lucidly written and eminently readable.
In a court complex in New Delhi, Tis Hazari, room number 137C is a rare liminal space where India’s colonial past, intimacy, marriage, norms, love and law collide and merge. It is here that the secular freedom to marry afforded by the 1872 Civil Marriage Act is utilized by couples in love.
In Delhi, the social, cultural, psychological and political universe of the large-scale labour in the informal sector have so far been researched only in nascent form. Characteristic of the migrants to Delhi, as of the labour in other cities, is a very high geographical, sectoral and professional concentration.