‘A man does what he must—in spite of personal consequences, in spite of obstacles and dangers, and pressures— and that is the basis of all human morality.’ John F. Kennedy. ‘We could do it, you know.’ ‘What?’ ‘Leave the district. Run off. Live in the woods. You and I, we could make it.’ When Suzanne Collins wrote this in The Hunger Games, she probably was unaware of the kind of forest that exists in Forest Saga.
Nirgatasu na va kasya kalidasasya suktisu Pritir madhura—sandrasu manjarisu iva jayate Pleasure blooms in Kalidasa’s poems, Like a full bouquet of fragrant flowers! —Banabhatta’s Harsa-carita
2015
A.N.D. Haksar, formidable, versatile and prolific translator of Sanskrit texts, gives us a gentle and very sweet version of Arya Shura’s Jatakamala from the fourth century, overflowing with the Buddhist virtues of generosity and compassion towards all living creatures. The translation is a reprint and we must be grateful to Harper Collins for rescuing it from wherever it had been abandoned.
It never rains but it pours. This travelogue by an indigent Maharashtrian brahmin describing his travels and travails in North India during the turbulent years 1857-60 and encompassing in particular the events in Jhansi, first published in Marathi in 1907, has now been translated into English three times within the last four years.
After praises to God and the Prophet here is some good news for the voyagers of endless oceans and wonders of the world, and explorers of desolate and magnificent destinations of deserts and mountains that, in these delightful times…
2015
Born in 1880 in the Pairaband village of Rangpur—not Rampur as the volume under review states (p. 269)—a district of eastern Bengal, Rokeya Sakhawat Hossain grew up within the confines of a large upper class Muslim family headed by an orthodox father. Rokeya and her sisters were denied, unlike their brothers, formal education, or any education for that matter. Not only that, even the informal speaking and learning of the Bangla language was heavily discouraged; the English language, needless to say, was completely out of their reach.
Some writers are fortunate enough to have a second innings not too long after their first flush of fame. Ismat Chughtai, who enjoyed the dubious distinction of sharing the tag of Urdu’s best-known enfant terrible with her friend and fellowwriter Manto, is one such writer.
As one opens this book showcasing two novellas from Pakistan and flips through the first few pages of each, one has no doubt that this is first rate writing from South Asia. A couple of years ago, Salman Rushdie had bemoaned the paucity of writing from the Indian subcontinent in good English translation.
In academia, a festschrift is a volume of writings by different authors presented as a tribute or memorial especially to a scholar, and presented during his or her lifetime. The term, borrowed from German, could be translated as celebration publication or celebratory (piece of ) writing.
Let me, at the very outset, make a set of declarations. The author is a good friend of mine from my days at the Indian Express in the 1980s and I know various members of her family very well. Also, it was her husband, Virendra, who brought me into journalism from publishing where I was ruminating on a boring future in a dying industry.
2015
A society dominated by Morality, as defined by the patriarchs who hope to keep the world going according to their writ. This is what The Lesson is about. The blurb describes it as ‘a dystopian satire on the violence that women live with.’ The dominant role is that of the rapist, a rather perverted ‘knight in shining armour’ who descends on recalcitrant women to teach them a lesson.
In the summer of 1992 my father took our family and the family of a visiting aunt to Ayodhya, Faizabad. While the objective for the aunt’s family was clearly sacred and devotional, to my father it remained mainly ‘journalistic’. As he said then that ‘we must see the Mosque’ for he was not very sure of its ‘future’ given the politics of hate and violence in those times fuelled by the RSS, BJP and their various sister organizations.
If any evidence were needed to establish that Cyrus Mistry is one of the finest writers in India today reading just one of his tales from his collection of short stories will be more than enough. Each of his stories is intensely perceived and documented dispassionately, leaving the reader the license to react emotionally and rationally.
2015
Towards the beginning of Anuradha Roy’s new novel, Sleeping on Jupiter, three elderly women, travelling to the temple town of Jarmuli, realize that a young co-passenger has missed the train after having disembarked at a crowded station en route. Concerned, because Nomi had seemed to be in some danger when they had last sighted her, one of the ladies reaches for the emergency chain to stop the train.
Ghost Fleet is a must read for those interested in the future of conflict. Imaginative, thoughtful, the authors have drawn together a diverse set of evolving trends in modern warfare—from ‘hybrid war’ to cutting-edge technological developments in cyber, directed energy and unmanned systems—and woven them into a scenario of great power conflict in the near future where they all interact.
Is it my need, or my wish, To learn that lock-opener That language called English? There is centuries of anger to unleash, And a journey from the dregs to niche. That roughly is the sentiment that the book in question, English in the Dalit Context, rallies around English as a tool of empowerment for the dalit community. The book, edited by Alladi Uma, Suneetha Rani and D.M. Manohar, is a collection of 14 essays that emerged out of a national seminar on ‘English in the Dalit Context’ organized by the University of Hyderabad in 2013.
2015
Parricide is Bhaskar Ghose’s second novel. His first novel The Teller of Tales was published in 2012. Parricide narrates the story of a young man’s journey from deep seated hatred for his father to his eventual forgiveness and acceptance of him. The protagonist of the story is Ravi, whose troubled relationship with his abusive father governs his life, career and subsequent relationships.
Festivals are intrinsic to communities the world over and are celebrated everywhere with joy, enthusiasm and devotion. This is even truer in India, an ancient land with an unbroken legacy of sacred rites and rituals, a strict adherence to custom and a consuming desire for communing with the Divine. Here, even the humblest home will mark the special days as best as it can.
As laid out in the introduction to All Time Favorite Books and Movies and Their Epic Journey, Patil has picked some of his favorite stories of all time from literature and cinema and presented rich behind-the-scenes trivia. To these details are added opinions which reiterate his imagination of their ‘epic’-ness.
The truth is the best picture, the best propaganda’, asserted Robert Capa, the legendary conflict photographer. So raw and realistic was his work that his memorable photograph ‘The Falling Soldier’, clicked at what appears to be the very instant that a Spanish Republican fighter took a lethal bullet hit, was the subject of long debate about whether it was genuine or contrived.