The problems of poverty and development in the Third World have activated neo-Malthusians since the early 1960s into blaming the poor for their poverty and repro-ductive capacity, notwithstand¬ing the loss of credibility of much of what Robert Malthus propounded in 1798 in his famous Essay on the Principle of Population. Neo-Malthusian enterprise has found expres¬sion in a number of sophisti¬cated models, and has been able to raise a sympathetic echo in the family planning establishments of many Third World governments.
Seeing the population ‘ex¬plosion’ in the country as the root of all evil is fairly in-grained today among politi¬cians, policy makers and the vocal elite. Every half-baked industrialist can be heard making speeches drawing a link between the country’s population growth and its economic backwardness. And the media are full of articles in which the population bogey is a convenient central point around which are built pom¬pous theories and analyses. It is this section (with its hang¬up about population ‘control’) that needs to read and be enlightened by Professor Pethe’s excellent book.
Confronted with this fat book with its not too pre¬possessing title, encased in a glossy Punch-cartoon-style coloured dust-cover depicting, inter alia, President Johnson demonstrating his gall-bladder operation scar to George Washington, who is scrutini-zing it with all the concentra¬ted attention that he reputedly devoted to the study of his field-maps during his War of Independence campaigns against the British; President Truman thumping away on an upright piano with a supreme, almost inane degree of self-satisfaction; Richard Nixon with his famous crooked kris-proboscis extended like an antenna, slyly playing smug¬gled tapes; and President Eisenhower grovelling on the ground in desperate search of an errant golf ball, your reviewer was frankly not enthusiastic about the task entrusted to him.
The principal author of this book, David Holden, who was the chief foreign correspondent of the Sunday Times, was shot dead in Cairo in November 1977 when he was barely half¬way through the book. To this day the mystery surround¬ing his murder has not been unravelled. His co-author, who completed the book, feels that this summary departure had nothing to do with his researches into the House of Saud and assures us that Holden was not a part of the paranoid world of intel¬ligence and subterfuge. But the story of the House of Saud as it unfolds contains so much intrigue and violence that one may be forgiven for doubting this.
A student of business history faces one big problem: lack of information on the growth of business houses. This problem is a function of the secrecy surrounding the growth of business houses in India, a sec¬recy deliberately nurtured and propagated by the business houses themselves. The publi¬cation of this book is thus an important event. For the first time, we are provided with data on the origin, growth and expansion of Gujarat’s premier business house, that of Lal¬bhai.
What makes Ardhakathanaka fascinating and important is the fact that it is perhaps the first autobiography in an Indian language. Originally written in 1641 A.D., and in verse, using a colloquial mix¬ture of Brajabhasha and the eastern dialects of Hindi, it is the self-revelation of a Jain merchant-poet, Banarasidas, who lived in the heyday of the Mughal rule. This work, made available for the first time in English translation by Dr. Mukund Lath, has a two-fold significance: as a documentary of character in its own right and as a valuable historical source. Firstly, like any auto¬biography it tells us about a person in the context of his community whose character and experiences are well worth knowing. Secondly, it gives us an insight into the times when Banarasidas lived, from an unusually honest and truthful personal angle.
The editors of this anthology have stated that their aim was ‘to represent only such (poets) as embody in effective idiom the native sensibility’. One can, indeed, discern in all the poets, from old stalwarts to new voices, the milieu in which Indo-English poetry is being written today. They all reflect, in one way or another, the dilemma of the Indian ethos into which they have been born, and the contemporary Western philosophical influ¬ences, particularly Sartrean Existentialism, to which they are prone.
Marilyn French is one of a new breed of critics, per¬haps not yet fully accepted in the conventional circles of literary criticism, because of her very specific (and all-pervading) bias. As a feminist critic of literature, she en¬visions part of her function as that of reinterpreting the pil¬lars of Western literature. Shakespeare is of course one of these. Shakespeare created a large stageful of women characters, ranging from fiery Margaret and Lady Macbeth to clever Portia and waif-like Ophelia. The making and un¬making of these women in the male-designed order of Eliza¬bethan society is by itself a fascinating subject for study.
Alexander Blok was born in 1880 in St. Petersburg and died there in 1921. The dates are as important as the country in which was born. His life spanned the four most tur-bulent and cataclysmic decades in Russian history—the years of terror and sedition let loose by the angry young rebels, the suffocating years when ‘Pobedonostsev over Russia had spread the owl-like wings of doom’, the years of stag¬nation and sepulchral quietude leading to the storm of the First Revolution, the black years of reaction and repres¬sion, the bloody years of the First World War, the glorious year of 1917 followed by the grim, gloomy and hungry years of the immediate post-Revolu-tion period.
Ever since the subject burst upon him in the latter half of his first novel The Foreigner (1968), Joshi has with single-minded dedica¬tion and growing artistic re¬sourcefulness been excoriating the Bitch Goddess— that implacable deity of gross material success who may serve the flesh but’ always extracts its pound of conscience and often leads to utter ruin.
This, the fourth and final volume of a series, presents in English translation a selection of contemporary verse in Assamese (20 poets; 30 poems), Gujarati (28 poets; 29 poems), Malayalam (30 poets; 60 poems), Telugu (17 poets; 23 poems), and Urdu (19 poets: 54 poems). Each section begins with an editorial introduction—by Nabakanta Barua for Assamese, Jhinabhai Desai for Gujarati, Ayyappa Paniker for Malayalam, I. Panduranga Rao for Telugu, and Gopichand Narang for Urdu—and concludes with brief biographical notes on the poets represented.
For far too long, the trans¬lation into English of Indian literature has been viewed primarily as an act of cross-cultural interpretation, a way of making India’s literary riches accessible to the West. This may well be an accurate assessment of the situation up to 1947: nearly all of the works translated into English were classical ones, mostly Sanskrit, and they were often translated by Western scholars who had Western readers in mind. But the past forty or so years have seen the emergence of a new and still-growing body of works from Indian translators whose aim is no less than the literary discovery of modern India.