Author Archives: Thebookreviewindia

A part from the title and a semblance of the mood, Aamer Hussein’s The Cloud Messenger shares very little else with Kalidasa’s lyric poem of 111 stanzas, Meghadutam. For instance, Hussein’s narrator-hero, Mehran, is no exiled lover. Hussein’s kunstlerroman borrows the lilting romantic tenor of the poetic conceit used by Kalidasa in his sandesa kavya (message/messenger poetry).

With insurgent and resistant narratives thronging the repertoire of contemporary South Asian fiction, what stands undisputed are the truth-claims of Eric Hobsbawm’s theory regarding the paradox of South Asian nationalisms: new and old.

A wander through the fiction section of Delhi’s bookstores reveals rows and rows of colourful dust-jackets and attractive offerings by Indian and Pakistani authors. The volume is staggering, but though there is no shortage of choice, not all of it is good. Sadly, Invitation too promises more than it can deliver.

For the past couple of years, we have been told, often and loudly, that Pakistani fiction has come of age. It is unclear exactly what this means, but apparently a dedicated issue of Granta is an essential marker.

The bountiful nature of the publishing business in India in recent years has brought tens of new voices writing in Indian English to the bookstores and bedside tables.

A slim 47-page booklet forms the kernel of this book; the rest is mere padding in the form of introduction, appendices and notes. However, the 47 pages of Iqbal contain much that is illuminating and useful—not merely about one of the greatest poets of the Urdu language but also about his age and many of his peers.

There are documents that survive the strife of history. Who would have known that a missive written by Guru Gobind Singh, the tenth Guru of the Sikhs, to Aurangzeb, the last great Mughal emperor, right after his defeat at the hands of the Mughal army, would survive ironically as Zafarnama, an epistle of victory?

That the US invasion of Iraq informs, indeed haunts, policy-making in the US was illustrated in some speeches and justifications related to the UN-sanctioned but US and NATO-led no-fly-zone over Libya. What seemed to vex policy-makers and military strategists was whether UN Resolution 1973 allowed for ‘regime change’.

To be able to distill your love for words and art into the work that you do for a living, and that work of a nature that fulfills a niche in society, is to be fortunate. Debjani Chatterjee, well known and much awarded poet from Sheffield, England, was once a community relations officer.

Sample this: A headline in a leading Hindi News channel, ‘Tabaahi ki Taaza Tasveerein’ (Hindi?) Another headline in a leading Urdu daily, ‘Cut-Off Ke Doosre Din Honours Courses Ki Demand’ (Urdu?)

Raghu Rai is one of India’s most celebrated photographers and his 29th book of photographs on Mumbai is yet another visual treat. Aimed at capturing the essence of Mumbai, it is almost a study of contrasts and very evocatively captures slices of what Mumbai as the city really is.

The Gateway of India and the beautiful Chhatrapati Shivaji Terminus (CST) are the popular symbols of Mumbai. But both are structures that remind us of the city’s colonial past.