Chronicling Life In The Slow Lane

n the Preface to his book, A Gathering of Friends, Ruskin Bond mentions his critics, the ones who have sometimes felt that his stories are less stories, more character sketches, for want of a plot. In his inimitable style, with gentle humour, he points out, that life doesn’t come with a plot. One can imagine him, glint in his eyes from the witticism, continuing tell the everyday tales of life, from the observable and plausible, to the fantastical. Bond has been an intrepid chronicler of life in the slow lane.

A Bunch Of Stories

Galpaguchha means a ‘Bunch of Stories’. And that’s the offering we have in hand here—a varied bouquet of short stories selected from Rabindranath Tagore’s distinguished collection, translated by Dipavali. Some of the flowers of this bunch are fragrant with an all-pervasive sweetness, while others border on the wild and even macabre. But all are thought-provoking portraits of life, tinged with the wisdom of human observation.

If Bhai (as Damodar Mauzo the Konkani writer and Sahitya Akademi award winner is fondly known in Goa) isn’t already in the canon of the great contemporary Indian short story writers, his nomination to the long list of the 25,000 Frank O’Connor Short Story Prize, one of the richest Short Story Collection prizes in the world, for Teresa’s Man and Other Stories from Goa, 2014 issued by Rupa, indicates that he’ll be arriving there quite soon.

Literature popularly defined as a mirror of society gets a radically different meaning in the novella, Pethavan by Imayam, published recently in English translation. The myriad functions of caste in Indian society got unveiled through this brilliant literary piece by a master story-teller. It invites us to read ourselves and our society vis-à-vis caste.