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It is good to see that at long last imaginative books are being written on otherwise dull subjects. As the name suggests, Kuriyan’s book is indeed a very good general survey of India.
It is good to see that at long last imaginative books are being written on otherwise dull subjects. As the name suggests, Kuriyan’s book is indeed a very good general survey of India.
Anchoring on Banaras—a site where not only cultural plurality permeates and colours its social fabric but where medical plurality also thrived within the context of East-West encounter—Indigenous and Western Medicine in Colonial India delineates varied shades of the social history of medicine reflecting on ‘the multiplicity and complexity of social interaction and encounter between indigenous and western medicine’ (p. XI) that still endures in Banaras.
I had the privilege of reviewing Mridula Ramanna’s earlier volume, Western Medicine and Public Health in Colonial Bombay, 1845-1895 in The Book Review (Vol XXVII, No.8, August) in 2003.
Nile Green is an unusually gifted historian. He has been engaged, almost single-handedly, in a quiet revisionism in the social history of early modern India. His work has served to introduce fresh perspectives to our understanding of early modern epistemology, bringing in dimensions of corporeality and embodiment to processes of knowledge formation.
Subaltern Lives offers us much more than what it initially promises. It is not just a prospographical analysis of individual convicts, or about recuperating lives of marginal groups transported across vast spaces of Empire under conditions of extreme regulation and punishment, it is about methodology and the challenges of reading archives.
Unfinished Gestures provides a gentle, poignant and painstakingly detailed account of the complex processes whereby women who participated and continue to participate in what Soneji classifies as non-conjugal relationships have been marginalized.
The essays in Insights and Interventions is a fitting tribute to Uma Chakravarti’s rather unconventional but, firmly committed, career as an academic and activist.
The authors K.C. Aryan (painter, sculptor, and art historian) and his daughter Subhashini Aryan deserve kudos, because they have written knowledgeably on Hanuman.
With the untimely death of Dhoomil in February 1975, modern Hindi literature lost one of its most promising young poets.
‘…she is special…not just because she is making a hundred but because she is Zohra Segal, dancer, actress, story-teller, lover —lover of all things—and loved by all things, great and small and those in-between…’. These words of Tom Alter truly sum up the personality that has been so central to our imagination of Hindi cinema.
Uma, the protagonist of the novel, a young woman from a well-to-do back-ground with a modicum of higher education in Delhi, is married into an aristocratic brahmin family in Kolkata, and thereafter delves into its family history with an almost unhealthy curiosity.
Tarun J. Tejpal is the founder-editor of Tehelka, well known for its investigative reporting; over the years, he has exposed various scams and malpractices in India.