During last few decades the areas of Hindi Criticism have expanded and Manager Pandey is one of the critics in the decades after Independence who defined that literature is not separate form society and hence growth of literature cannot be disassociated from the growth of society.
This long narrative poem is a brave attempt to chronicle the searing landscape of the dispossessed, deprived and destitute forgotten by the official recorders of history in an attempt to make visible what is essentially considered irrelevant and as a consequence undocumented. Srivastava writes with evident sincerity and passion that gives the poem its impetus and also paradoxically its greatest weakness for its unflagging scrutiny of poverty is static and not moored by authorial validation of the moral high ground the poet continuously occupies.
Chandrakiran Sonrexas autobiography, Pinjre Ki Maina, time and again flashes Jainendras Mrinal on to the mind screen. A rebellious nature notwithstanding, the life paths chosen because of humiliation, rejection or mistrust finally lead back to the same destinations, after all.
For the first time ever in a decade and more, the NCERT, the apex body advising the Government of India on educational matters, has woken up from its hibernation and brought out a book that is something worthwhile possessing or presenting to the younger generation.
Shanta Acharya’s evolution as a poet shows three distinct phases, as William Blake has put it, of innocence, experience and higher innocence. She starts out in a restrained manner, goes through certain experiences, and then goes on to fully articulate her emotional experiences.