Modernity and Indegenity in Indian Theatre
Joya John
MODERN INDIAN DRAMA: ISSUES AND INTERVENTIONS by Lakshmi Subramanyam Srishti, New Delhi, 2008, 2010, 254 pp., 295
February 2010, volume 36, No 2

Lakshmi Subramanyam’s book, Modern Indian Drama:Issues and In-terventions is a welcome endeavour given the lack of substantial theoretical work on postcolonial Indian drama. So does Subramanyam’s book break new ground in undertanding drama, theater and performance studies in India? Perhaps a closer look at the book could provide answers.

The editor has put together 12 articles prefaced by an introduction in which she delineates her project. Subramanyam begins by briefly placing modern Indian drama in a wider context of European modernism while drawing our attention to the specificities of postcoloniality that mark modern Indian theater. The coordinates for this center around questions of language,cultural policy, the experience of modernity and indigenety. The introduction goes into greater depth when discussing articles that deal with debates around indigenety and interculturalism. The detailing in this section of the introduction is also an indicator that it is these issues which form some of the most vibrant sections of the book.

It is perhaps obvious that one expects such a book to have some sort of regional representativeness to it. The articles cover a range of theatrical practices and biographies of practitioners from Manipur, Uttar Pradesh, Chhattisgarh, Tamil Nadu, Karnataka and Maharastra. Of course as is evident from this list, a number of regions and practitioners in various Indian languages find no mention. It seems that a book on modern postcolonial drama cannot escape reiterating the importance of the work of certain playwrights. There are as many as three articles that look at the work of Tendulkar, Dattani and Karnad.

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