A Tolerant Faith
Sohail Hashmi
THE SUFI COURTYARD: DARGAHS OF DELHI by Sadia Dehlvi Harper Collins, 2012, 252 pp., 699
July 2012, volume 36, No 7

There is a sudden spurt of interest in Sufism among a section of our population that did not have such an interest a decade or two ago, and there are several reasons for this. Some were introduced to Sufism and its spiritual philosophical moorings through interactions with those who knew something about it and realized that the ideas of Wahdat-ul-Wujood had parallels in the Advait philosophy and it was this consonance that intrigued many to an extent that they got interested in exploring Sufism a little more. There were others who discovered Sufism through the West. Just as many had discovered Hindustani Classical Music when George Harrison began to learn Sitar from Pandit Ravi Shankar in the 60s, there are those who discovered Rumi, when there was a spurt of interest in Jalal-ud-din Rumi in the West particularly in the US, with several translations appearing within a short span. Rumi is incidentally known for centuries in our parts as Maulana Room and his poetry was quoted by Persian knowing Indians, till the 1950s and early 1960s, in conversations and writings almost as often as Mir and Ghalib are quoted by the Urduwallas. An introduction to Rumi in the last decade or so has led eventually and inevitably to Sufism and a kindling of interest in our own indigenous Sufis.

Continue reading this review