Monthly Archives: November 2017

The writing of ‘women’s history’ has been closely related to the women’s movement and feminist practice. Since the 1960s, feminist scholars have challenged the methodology of conventional historiography and have altered its contours and research tools, perhaps with greater success than in the case of any other discipline.

The collection of essays entitled Culture Power and Agency, Gender in Indian Ethnography with an incisive introduction by the editors will be an asset to any library or personal collection. The authors contributing to the volume have carefully presented sound theories that are supported by their elaborate fieldwork.

Readings in Feminist Rhetorical Theory—this straightforward title holds out the promise of an anthology that brings together the work of various feminist rhetoricians within its covers. However, the circle of nine names that follows this title on the cover page belies this promise.

Roshen Dalal’s Dictionary is an affordable, well-produced and handy reference-work that is bound to go down well with scholars and general readers alike though judging by the author’s prefatory remarks, it primarily seeks to address the latter.

Carlo Ginzburg, the Italian historian, notes sarcastically in his fasci nating book The Judge and the Historian: ‘For many historians, the notion of proof is out of fashion: like that of truth, to which it is bound with a very solid historical (and therefore unnecessary) link.

Recently, I was told of the experience of the Managing Trustee of Navjivan Prakashan which holds the copyright to the Collected Works of Mahatma Gandhi. In connection with a copyright case, the trustee had to present himself at the Tamil Nadu High Court along with the originals of some correspondence that Gandhi had with one of his associates in South Africa.

Once you have lived with mountains, Under the benedictory pines And deodars, near stars And a brighter moon, With wood smoke and mist, Sweet smell of grass, dew lines On spider-spun, sun-kissed Buttercup and vine;

Having been a tree-spotter for over a dozen years, this reviewer was growing increasingly frustrated as every new book on trees-and a fair number of glossies have been published on the subject in the last five or six years-did nothing better than re¬chronicle the semals,

Those of us who grew up in the sixties and seventies, nurtured on Bangla literature, regarded Byomkesh Bakshi as our very own Sherlock Holmes and a very convincing and effective one at that. From the same standpoint Ajit, his assistant, emerges as an equally Dr Watson.

‘Life doesn’t have a plot. We don’t know what is going to happen next year, so I let the story develop like that. I like to write it that way, as the unknown unfolds’ It is thus that Ananda Mukerji commented on the unfolding of his first novel And Where, My Friend, Lay You Hiding?

The book under review is a notable addition to the canon of literature in translation. It showcases fourteen stories of Raghbir Dhand who occupied a prominent place among the pioneer writers of the Punjabi diaspora, settled in England. His fictional world as represented in these stories offers a great range in terms of variety of themes, ideas, technique and craft.

Strangeness and surprise, endorsed by academic approval, are Lehman’s basic criteria of choice here. Realizing Americas multiplicity of taste and culture, he prefers to call the corpus ‘American poetries’ (p. viii) instead of just ‘American poetry’, and consequently offers a much wider canon than before.

There are three texts waiting to be discussed here: the ‘original’ Chaklet, a collection of eight Hindi stories written by Pandey Bechan Sharma ‘Ugra’ published in 1927 after five of them were serialized in Matvala, a Calcutta based Hindi weekly; its translation into English by Ruth Vanita titled Chocolate

The East-West encounter literary genre is an axiomatic creative manifestation of our colonial/post-colonial inheritance. Both Indian English and Anglo Indian literary historiography is indelibly etched with the contours of this encounter.

It would be unfair to place the present volume of ‘A History Of Indian Literature: From The Courtly To The Popular, 500-1399’ by Sisir Kumar Das in the context of his earlier well-received, critically acclaimed, scholarly yet reader-friendly volumes covering the period 1800-1910 (Western Impact: Indian Response)

The line separating Narayan’s world from the world of Narayan’s fiction has always been a blurred one, and the viewer trying to distinguish between the two will tend to suffer from what Narayan himself inimitably called, in the autobiographical context of his tangential glimpses of his wife-to-be at the street tap, ‘a continually melting vision.

Mark-Anthony Falzon’s book on the Sindhi diaspora is an ambitious project from the standpoint of a social anthropologist. It is based on fieldwork in three places, London, Malta and Bombay.

Intellectuals and academicians pre-occupied with ‘armchair theorisation’ in past have been showing much sentisation towards the present socio-economic-political crisis coming forward with their research and academic skills to take up the challenges of development and the incarnation

The above book is a volume that has come out of a three day National seminar organised by the C.Achuta Menon Foundation , Thiruvananthapuram on 8, 9, and 10 December 2005. The volume has been deservingly dedicated to Comrade K.V.Surendranath, the founder secretary of the Foundation and whose first death anniversary took place recently.

This somewhat unusual book is a biographical profile of the state of Jammu. The book is by no means a consistent historical work, a task that has been fulfilled by other historians such as L.N. Dhar, Mohan La! Kaul and many others who have written the history of Jammu and Kashmir.