History
The book authored by Amar Farooqui written at the fag end of his teaching career contains the filtered essence of earlier voluminous scholarship on various components and aspects of British consolidation in the Indian subcontinent. The filtered essence has been further fermented by recent historiographical debates on the subject, thus imparting the information and interpretation an unusual freshness.
This is one of those books that breeze across centuries and continents, leaving the reader’s mind ventilated by long cultural cross currents. Puchner argues that culture cannot be considered hived off, discrete, and possessed exclusively by a set of people. This is the kind of nigglingly neat billiard ball understanding of culture that political theorists operated with as they made the case for cultural pluralism or multiculturalism.
In a crucial scene set in an underground temple in Bankimchandra Chatterji’s Anandamath, the protagonist Mahendra first encounters the Motherland, as he goes into a dark room, and ‘Gradually a picture revealed itself to him. It was a gigantic, imposing, resplendent, yes, almost a living map of India. This is our Mother India as she was before British conquest,’ he was told.
It was with keen and eager expectation that I picked up and perused Chad M Bauman’s Anti-Christian Violence in India (originally published by Cornell University Press, 2020). The book is a timely contribution to understanding an issue of extreme significance not just to the Indian Christian community but also to the secular-democratic fabric of India itself.
It is not too often that one comes across a comprehensive book on Indian publishing. We grew up on A Career in Book Publishing and 15 Years of Indian Publishing by Samuel Israel, the doyen of India’s publishing industry. One of the earliest books on publishing is BS Kesavan’s (First National Librarian of independent India), History of Printing and Publishing in India in three volumes. We also have BG Verghese’s edited essays in Indian publishing titled Beyond the Headlines.
Dalpat Singh Rajpurohit’s book is primarily about the relatively lesser-known religious-literary figure, Sundardas (1596-1689 CE), a bhakti sant with primary allegiance to Dadupanth. For the author, however, Sundardas is not just a sectarian figure who should be viewed only within the boundaries of bhakti, but rather a momentous figure in the emerging vernacular intellectual culture and early modernity in 17th century Mughal India.
There is an impression that Humayun has not received adequate attention in historical writings on the great Mughals. However, there is an earlier scholarship in which Humayun figures quite prominently. The pioneers were SK Banerji, whose study, based on his doctoral thesis of 1925, was published in 1938; Sukumar Ray, whose detailed essay on the ruler’s Persian sojourn was published in 1948.
2022
A study of the ‘hybrid half-century’, The Broken Script is a narrative of the city of Delhi for the period 1803-1857, when the Mughal Empire witnessed the last vestiges of its power and the British East India Company emerged as the de facto ruler, marking the end of one way of life and the rise of another. It is the story of a city, ‘a fast-modernizing society’ in the midst of profound changes, a discussion on its culture, literature, language, intellectualism, its tehzeeb, social and economic life.
This collection of essays is representative of the themes pursued by Richard Eaton. As a definitive, prolific and meaningful scholarly voice studying medieval India since the 1970s, Eaton’s essays cover a swathe of topics in the domains of social and cultural history. While some themes—such as the cultural history of Islam, and the social history of religious communities—are regularly featured in writings by historians of medieval India.
Members of the Ajnabi Radio Shrota Sangha (Strangers’ Radio Club) in Bhagalpur, Bihar, regularly tuned into Radio Ceylon, broadcast from Colombo, Sri Lanka, to vote for their favourite songs on Binaca Geetmala, a subcontinental hit countdown show. The club was among 400 radio listeners’ groups that were voluntarily formed by Hindi film music fans in India, mid-1950s onwards, to collectively listen to and talk about the popular music that they ironically did not have access to via their national broadcaster, the All India Radio (AIR).
In Gillian Tindall’s engaging book on Bombay, City of Gold (1982), she describes initial encounters with colonial buildings and her incredulous response: ‘Hallo! Fancy seeing you here?’. Indeed, colonial buildings may seem strange implants in the tropical landscape despite their historic presence for three centuries on Indian soil. Michael Mann argues for Calcutta that between 1770s and 1830s, the East India Company committed itself to a vision—that of building another Rome and set a trend.
History is an ever-evolving subject. Historians have, in recent times, attempted to study this subject through various novel ways. And understanding the human past through historical objects is one such technique which has become quite popular in recent times. Sudeshna Guha’s latest work A History of India through 75 Objects belongs to this category of history writing.
A young and yet, already an acclaimed academic, Kanad Sinha has brought out a stunning book entitled From Dasarajna to Kuruksetra. The very utterance on Kurukshetra immediately connects one to the Mahabharata. On the other hand, Dasarajna, literally the battle of ten chiefs who were defeated by another powerful chief, Sudas, on the banks of the river Parushni (modern Ravi) refers to the outstanding political event in the Rigvedic clan society. The book seeks to establish connections between these two battles fought in separate historical epochs.
Growing interest in the history of peninsular India has sparked a series of excellent books of value to the specialist and lay reader alike. Kamini Dandapani disavows being either a historian or a writer by profession, but her Rajajraja Chola, King of Kings does long-delayed justice to a ruler who is among the greats of the world and to a dynasty that for several hundred years was the shining light of India with a legacy that stretches to this day.
Tears of the Begums is the first-ever English translation by Rana Safvi of Begumat ke Aansoo, originally written in Urdu by Khwaja Hasan Nizami, a follower of the Sufi order Chishti-Nizamiya and a descendant of Hazrat Nizamuddin Auliya. Born almost twenty years after the revolt of 1857, Hasan Nizami’s spiritual pursuits led him to investigate the events of 1857, the encounters of the Mughal Emperor Bahadur Shah Zafar, the cruelties meted out to the royal family and the plight of royal family members, many of them women, who survived the revolt.
Hind Swaraj is one of those key texts published in the twentieth century, which on the one hand, were denounced by many critics, and on the other hand, attracted many scholars and activists, who have been working for an alternative model of modernism. The book was criticized by many scholars, including the first Prime Minister of India due to its so-called ‘outdated’ ideas. However, in this book, Gandhi critically evaluates modern civilization and technologies related to it and questions the modern conception of religion, nationalism, and the prevalent violence-based method to counter the unjust and exploitative system.
The book under review, written in Hindi, is a compilation of research papers that were presented as part of a two-day national seminar held to celebrate the 150th birth anniversary of Mahatma Gandhi at the M.P. Institute of Social Science Research. Titled, ‘Mahatma Gandhi: 21vi Sadi ka Bharatiya evam Vaishvik Pariprekshya’, the seminar was held in Ujjain. There are twenty essays in this book written by various Gandhi scholars. Each article focuses on a particular facet related to Gandhi and his world view.
Aloka Parasher Sen’s edited volume under review comprising a collection of eight essays recognizes the need to seek ‘out the “reality” of the past rather than its “truth”’ (p. 2). Inspired by Hayden White’s essay on historical fiction and historical reality, wherein White explains that ‘The real would consist of everything that can be truthfully said about its actuality plus everything that can be truthfully said about what it could possibly be.
The book is a biographical account with a difference, of an emperor, contested currently in national discourse, in a simple story-telling style to make the narrative thrilling and delightful. Written with passion and curious interest combined with theatrical melodrama and humour, it captures the multi-faceted personality of Akbar, his different moods, temperament, sentiments, emotions, compassion and open-mindedness, yet the focus primarily remains to be on the power-driven, ambitious, warrior, conqueror, imperialist, who is never free of court animosities, politics, resentments, turmoil and turbulence enmeshed in kinship and patronage.
Historian Ramachandra Guha has spoken of what he calls the ‘Boyle’s Laws’ of biography writing; named for their author, Goethe’s biographer Nicholas Boyle, they argue for a biography to be a logical progression to its conclusion, rather than the elaboration of a premise stated in advance; the drawing upon characters other than the principal to illuminate the narrative and extensive reference to sources other than those directly attributable to that subject. Winston Churchill’s views were congruent with Boyle’s on at least the first law