Fiction-In Translation-Tamil
The experiences of the main characters also provide two illuminating insights. The first is that it is not only men who travel away from the safety and security of home in search of a better life for their families. The second, especially in the context of this particular book, is that a well written story about complex human relationships and the capacity of individual men and women for generosity and meanness, loyalty and betrayal
The collection brings in formidable stories on the diaspora, showing how exile fractures belonging but also sharpens resistance. The story of Appadurai Muttulingam’s ‘Catch a Chunky Goat’ stands as a testament to it. While the protagonist’s courage and desperation to write the letter is to be appreciated, the series of events leave one confused about his guilt.
Vishwas Patil is a writer who thrives on dramatizing historical figures for popular consumption: Sambhaji, Netaji Subhas Chandra Bose, Anna Bhau Sathe, and now Shivaji. His strength lies in producing vivid, accessible portraits that can capture/consolidate public imagination.
As events come to a close, the DO’s family threatens Kamala, she is humiliated by all in the presence of her parents. Further disaster is averted only because the DO’s retirement is round the corner. Kamala never speaks for the major portion of this narrative. When she does speak up it is to acknowledge strategization: ‘He tortured me tirelessly.
‘Shadow Crow’ has a masterful narration. The meeting of Narayana Guru with Buddhist monks and the ensuing conversation is a delight to read. The author’s voice on mental health in the story ‘Brother’s Shadow’ is not so complex. They may be informed by his life experiences with a set of professionals.
The story begins not with Krishna’s birth but when Krishna’s life is drawing to a close. Jara, the hunter, accidentally discharges the arrow that pierces Krishna’s leg. When the hunter rushes to see from where the cry is emanating
