Fiction-In Translation-Tamil
Edited by Perundevi. Translated from the original Tamil by Janani Kannan
‘The Blouse’ interrogates civility and its absurdities. An innocent old woman, compelled to conform to the propriety of wearing a blouse to cover her breasts, develops a cyst—a mysterious tool that may enable her to assert agency over her own choices. Perhaps the most thought-provoking story in this oeuvre is Sundara Ramawamy’s ‘The Breaking of a Story’. As the media rushes to cover an unfolding event,
By Tho Mu Si Ragunathan. Translated from the Tamil original by Peer Mohamed Azees
Also, the translator Peer Mohamed Azees, might have done well to have given the meaning of those words that require an explanation the very first time they occur, especially the names of the various literary magazines that Pudumaipithan worked for. Also, it isn’t till page 30 that we are informed that Pudumaipithan means ‘the one crazy about the modern’. Equally inexplicably, a glossary is missing;
By Ramachandran Usha Translated from the original Tamil by Krupa Ge
The experiences of the main characters also provide two illuminating insights. The first is that it is not only men who travel away from the safety and security of home in search of a better life for their families. The second, especially in the context of this particular book, is that a well written story about complex human relationships and the capacity of individual men and women for generosity and meanness, loyalty and betrayal
Edited by Perundevi. Translated from the original Tamil by Janani Kannan
The collection brings in formidable stories on the diaspora, showing how exile fractures belonging but also sharpens resistance. The story of Appadurai Muttulingam’s ‘Catch a Chunky Goat’ stands as a testament to it. While the protagonist’s courage and desperation to write the letter is to be appreciated, the series of events leave one confused about his guilt.
By Vishwas Patil. Translated from the original Marathi by Nadeem Khan Eka,
Vishwas Patil is a writer who thrives on dramatizing historical figures for popular consumption: Sambhaji, Netaji Subhas Chandra Bose, Anna Bhau Sathe, and now Shivaji. His strength lies in producing vivid, accessible portraits that can capture/consolidate public imagination.
By Imayam. Translated from the original Tamil by D. Venkataramanan
As events come to a close, the DO’s family threatens Kamala, she is humiliated by all in the presence of her parents. Further disaster is averted only because the DO’s retirement is round the corner. Kamala never speaks for the major portion of this narrative. When she does speak up it is to acknowledge strategization: ‘He tortured me tirelessly.
By Jeyamohan. Translated from the original Tamil by Jegadeesh Kumar
‘Shadow Crow’ has a masterful narration. The meeting of Narayana Guru with Buddhist monks and the ensuing conversation is a delight to read. The author’s voice on mental health in the story ‘Brother’s Shadow’ is not so complex. They may be informed by his life experiences with a set of professionals.
By Indira Parthasarathy. Translated from the original Tamil by the author
The story begins not with Krishna’s birth but when Krishna’s life is drawing to a close. Jara, the hunter, accidentally discharges the arrow that pierces Krishna’s leg. When the hunter rushes to see from where the cry is emanating