Rajeswari Sunder Rajan
ANITA Desai’s latest novel Fire on the Mountain is a distinct let-down. It has many of the qualities that marked her first book, Cry, the Peacock; spareness, toughness and fine descriptive writing. But while Cry, the Peacock came off, Fire on the Mountain does not; perhaps because, trying the same trick once too often, Anita Desai achieves sensationalism instead of shock.