Cultural Rootedness Of Indian English Poetry

Not quite belonging to the domain of international English poetry, nor integrated with the literary traditions of other Indian languages, Indian poetry in English has often been projected as a homeless genre. The poetry of H.K. Kaul demonstrates, to the contrary, that Indian English poetry possesses the power to express a sense of cultural rootedness in a language that connects it with the rest of the world.

Poetry In/Of Moment(s) Recollecting Memories From Histories

These two sets of lines from two dif-ferent poems of K. Srilata’s Bookmarking the Oasis succinctly depict the vast range of experiences and metaphors she employs in her poetry. The collection offers its readers a spectrum of poetry that speaks of history and memory, politics and subjectivity, natural habitats and urban spaces, and the sensuous and cerebral.

Poetry Of Quiet Revolutions

Kazim Ali’s poetry allows us more than a glimpse into his rich oeuvre of work resonating with a commitment to creating a language of spiritual and political urgency that walks with soft footsteps. If there was one word to describe Ali’s poetic style and methodology it could well be ‘palimpsestic’. The range of the poems in this collection is wide, poems that are re-imaginings of Quranic and Islamicate myths and figures, translations of Faiz Ahmed Faiz, and prose-like poems mapping cities through an autobiographical lens, but in spite of the diversity of engagement they all work with a sense of an ‘always already’.

Parallel Truths

A Certain Way is an interesting debut in more ways than one. For Word Masala Foundation and its publishing wing Skylark Publications, this is the first time that they have employed crowd-funding as an innovative method of raising finance to fund a book’s publication. It was clearly a successful venture; the outcome is a well-presented paperback—a first collection of poems by ‘Word Masala New Voice Award Winner’ Mona Dash.