Satish Alekar’s best plays are like jigsaw puzzles in which not all the pieces are designed to fit in exactly. Some do, some don’t seem to, but no piece is random. The action often proceeds at a tangent to what the words are saying; the narrative gets refracted through subplots which seem unrelated.
Krishnan Srinivasan has worked at high levels in the Foreign Service and the Commonwealth Secretariat. He has spent several years in Africa where he seems to have acquired an insider’s perspective into the shuffle and elbowing that go by the name of diplomacy in most countries. This is Srinivasan’s second book, which he describes as his prequel to The Eccentric Effect, published in 2001.
Azhagia Periavan (Aravindhan) is one of the young Dalit writers in Tamil who claim attention for their authentic and honest portrayal of the life of the oppressed classes. The portrayal is, on occasions, too real and raw to be art, and a conscious process of transformation of the raw material into finished product might have made the stories richer and given the writer also a kind of training in critical intelligence.
On occasions Gujarat’s development and growth scenarios look enviable but at the same time, it is also perceived as an enigma. How is this state able to attract investments and at the same time invest outside the state substantially? In every nook and corner of the world one can find a Gujarati, yet in some sectors notably in education there is a shortage of qualified manpower.