Empire's Garden by Jayeeta Sharma is about the North Eastern province of Assam. The objective of the book was to show how a vast wilderness was transformed into a flourishing greenery of tea-plantation around which a colonial state was entrenched, whole new economic pursuits begun, the de-mography was altered, new migrants found entry and settlement in this new garden space, how newer concepts of 'progress and develop-ment' grew and were sought after, how langua-ges sought to be standardized, and community identities were constructed afresh even through secession from each other and the politics of identity that emanated from it. In the process certain long distance migrants had assimilated with the host country totally and even became the apostle of culture whereas certain consti-tuent groups drifted away and asserted sepa-rate communal or racial identity.
The book opens with an account of dis-covery of tea, the manufacture of the first bat-ch of drinkable Assam tea, its sale followed by the gradual development of tea plantation bas-ed economy sponsored by the colonial state. The vicissitudes of the journey-the story of a carefully carved out plantation sector by im-ported labour, the dilemma over labour em-ployment, experiment with tribal labour force and eventually relying on indentured labour following the pattern of West Indies, elimina-tion of local competition and the capital con-trol from Calcutta-emerge quite fascinating-ly. The advent of Kaya (Marwari traders), Bengali Clerks (described as Sylheti-clerks, a local pejorative term unbecoming in an acade-mic work), influx of Nepali grazers, the East Bengali Muslim farm settlers as the economy grew around tea are well brought out. There was simultaneously resurgence of the Assamese cultural nationalism.
The missionary endeavour in reinstating the Assamese language as the state language is also dealt with. The advent of colonial moder-nity at the insistence of emergent intelligentsia, be it replacing opium with tea, the foray of Assamese entrepreneurs into the tea industry, the appropriation of the print machine for a literary renaissance from which the endeavour to construct a modern identity began. It be-gan with championing the Assamese language, to garner support and love for the mother ton-gue or attempting to assimilate the traditional 'other'-the tribal-through language, tracing an Aryan lineage as a marker of an Indian identity and in the process 'othering' the non-Aryan groups were part of this process. It also traces the coeval process of the separate trajectory of the Bodo-Kacharis and Ahoms in this identity politics. It ...
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